This is the spot for quick, written, comic book reviews that may not have appeared anywhere else on our site! Short reviews from the Scowls regulars can all be found here.
Scowlin’ Mad with Tim
Shirtless Bear Fighter #1 June 2017
Writer: Jody Leheup, Sebastian Girner
Artist: Mike Spicer, Nil Vendrell
Cover: Andrew Robinson
I have wanted to talk about newer issues (this one being two weeks old already), but I find myself still raving about this comic. It is a fun ride in the vein of similar comics Amerikarate and Rock Candy Mountain. The Shirtless Bear Fighter is a man who lives in the woods. While once accepted by the bear community, he turns on them after a yet to be explained tragedy. Now he lives for flapjacks and fightin! The book (if you could’nt guess from the title) is silly. It is meant to be fun. The style in which it is written creates hilarity on every page. Turning pages to discover a well placed gag had me in stitches. I usually read all types of stories…sci-fi, horror, political, social….but as of late all I want to do is laugh. Shirtless Bear Fighter delivers. The book is planned to be five issues, but lets she if we can get it to go further. The creators and Image will thank you!
Shots Fired with Rich
Red Hood and the Outlaws Rebirth All New All Different Avengers #12
Writer: Mark Waid
Artist: Mahmud Asrar
Colors: Dave McCaig
Letterer: VC’s Corey Petit
Cover Art: Alex Ross
I wanted to review Red Hood and the Outlaws Rebirth but it was the nothingest book I’ve read in a while, so that can go suck an egg. I give it a 5 out of 10, the apathy rating.
I did, begrudgingly, enjoy All New All Different Avengers #12. I really only set out to buy this book just to put away the first issues with what I thought were going to be future movie avengers but grew to really like the younger Avengers. Mark Waid has been killing it crafting a new generation of heroes coming up to replace the elder class. Where I initially only saw Marvel re-using hero names to save them from having to create new compelling characters I can see the beginning of what will hopefully be a great team of characters.
This issue sees the fledgling team trying desperately to rescue Spiderman who was left behind in their escape from Annihilus. Using the Nega Bands they swap with Spiderman one at a time and acting as a team they make a play for destroying his ultimate weapon. Character building for Waid is going quite well but this Annihilus story wasn’t really good. I can move past it as a bonding experience for the team but I am hoping it will pick up and really test them. The art has been great which speaks highly of Asrar, since Kubert is one of my favorites and I don’t think the book loses a step when they switch off. All in all I still think Captain Falcon and Iron Man need to step away and let the new heroes grow but it’s a good enough book to stick it out.
Final Verdict: 7 out of 10
Shots Fired with Rich
Uncanny X-Men #10
Writer: Cullen Bunn
Artist: Ken Lashley
Colors: Nolan Woodard
Letterer: VC’s Joe Caramagna
Editor: Daniel Ketchum
I feel a little backstory about myself is needed for this review. X-men comics are the reason I started reading comic books in the first place. I loved how every character was diverse in style and powers and thoroughly enjoyed the family/team dynamics. So when I say the current books have lost their damn minds, it comes from a place of love for the characters and a great amplitude of confusion on why they are what they are now.
Uncanny X-men post Secret Wars has been probably one of their stronger X titles in my opinion. The art has been top notch and all 10 issues, despite the unorthodox group assembled, has flowed well. With that said they probably could have just called the book “Uncanny Murderers We Wanted To Write About” it would have been the same end result because this is not an X-men team. The current Roster is Magneto taking the team lead role, Psylocke as second in command, The Mindless Shell of Archangel, still morality shifted Sabretooth and Monet because she is cool and never used. Throughout the series there are scattered guest appearances from Mystique, Fantomex and Xorn.
Issue #10 wraps up an Apocalypse/Archangel related story that has moments of being weak but to judge it fairly I think this story line was forced on the book because of the movie this summer. I am expecting stronger writing coming up in the future once Bunn gets a bit more freedom. This issue balances an internal struggle, Psylocke trying to reach Archangels psyche, and the external threat of dozens of Archangel clones being fought off by Magneto, Fantomex and Mystique. There is also a sub plot that sees Sabretooth and Monet battling Empath in the sewers trying to defend the new Morlocks. Overall I think it was an OK read, nothing amazing happened and nothing awful happened. I enjoy morality shifted Sabretooth, I think he retains enough of his inherent grit to be an interesting character but he feels out of place in this roster. The biggest plus for this book is it eliminates one of the three Warren Worthingtons that currently exist in the books. Which one? Better read to find out, or not, whatever.
Final Verdict: 7 out of 10
Shots Fired with Rich
Horizon #1 July 2016
Writer: Brandon Thomas
Artist: Juan Gedeon
Colors: Frank Martin
Letterer: Rus Wooton
Editor: Sean Mackiewicz
Horizon #1 takes the reader to the not too distant future in the midst
of a resource crisis and introduces us to the primary antagonist Zhia Malen. She was sent to earth but due to unmentioned circumstances her landing didn’t go well and her ship was marooned in a Canadian Lake. Before embarking on this mission she was implanted with a miniature computer in her head that became damaged in the crash which leads to her having spotty memory and limited ability to communicate with her people. It’s up to her to reassemble her communication device, locate her team and get back on mission.
It’s kind of hard to go too in depth with this review as not much really
happened. The bulk of the story was poorly pieced together text blocks and bits of exposition frustratingly doled out by televisions and mobile devices. It always feels like I missed a page of information.
The art was actually one of the best parts of this book. It was decent
but not polished which would have been fine if it felt stylistic instead of rushed. After scanning though Gedeon’s art on his twitter account it’s kind of a shame since he really seems like a talented artist, this could be an issue with the colors or inking but who’s to know. I’m of a mindset that the first issue of a comic book should establish a character to latch on to as the reader and slowly discover the world around them. They gave us a character to care about, barely, and in the final panels they flip the script and make them completely impossible to relate to. I’d have to say pass on this book for now and wait for a trade and hope the story get past this beginning rough patch.
Scowlin’ Mad with Tim
Hillbilly #1 June 2016
Writer: Eric Powell
Artist: Eric Powell
Colorist: Eric Powell
Letterer: Eric Powell
Editor: Tracy Marsh
If you know Eric Powell’s previous works (like The Goon) then you wouldn’t be too surprised by how odd of a story line this book should possess. And I mean that as a good thing! This book has that classic Powell grittiness and dark imagery. The story focuses on a mysterious man who saves a young boy from being killed by a witch in the forest. While walking the boy home safely he recalls his origin to the boy. The Hillbilly was born out of incest and wedlock and thus born without eyes as punishment. As the town outcast he lived on the outskirts of town. Through several events he happens upon a witch stuck in a trap set by a rival witch. Upon freeing her he is marked as an enemy of that rival witch. The “good” witch provides Hillbilly with a cleaver loaded with dark magic that is highly effective against witches. Without giving away too much plot the character is set up to wander the vibrant world Powell has created slaying any witches he can. Powell handling every aspect of this book makes it a more intimate experience. The art is dark and gruesome as always which paints a clear picture of any dread and struggles within. Powell hasn’t lost a step and this book is highly enjoyable. Hopefully it will continue this way. Hillbilly is the kind of book that would more likely appeal to those readers of books like Hellboy and RPG Manuals. It is also nice to have the added bonus of supporting small press in Albatross Comics. I always enjoy Powell’s work and this comic was no different.
I give Hillbilly #1 a 7 out of 10.
Scowlin’ Mad with Tim
Wacky Raceland #1 June 2016
Writer: Ken Potac
Artist: Leonardo Manco
Colorist: Mariana Sanzone
Letterer: Sal Cipriano
Editor: Marie Javins
For years I have wanted to see an update of many of the classic Hanna Barbara properties that are now owned by DC Comics. Well my wish has come true with the creation of Future Quest, Wacky Raceland, and Scooby Doo Apocalypse. At least, I thought that is what I wanted. Several years back they did a successful update of Space Ghost. So how come Wacky Raceland is such a steamy pile of garbage? One would imagine it having more to do with timing and the success of the over the top film Mad Max: Fury Road. The problem though is that these characters were squeaky clean with limited backstory outside of race for reward/prize/pride etc. Making creepy versions of characters I barely remember like The Ant Hill Mob, Lazy Luke and Blubber Bear, and more does nothing but confuse new readers. I love animation. I remember the old cartoon show. I could barely recognize the support characters. Add to that the fact that the known characters call each other “asshats” more than their actual names and you can sense the downhill decline of the writing. Dick Dastardly slaps Penelope Pitstop on the ass and seems to enjoy her retaliation of slugging him in the face. Mutltey’s signature laugh is replaced by a noise reminiscent of Rorschach from Watchmen. While the writing is awful, the art is fun. Manco accomplishes what he set out to create, a dystopian future where oddball characters can exist together in a hazardous enviroment. This book was painful to finish. All of the creativity like the announcer being a mysterious being that organizes death races is overshadowed by lame cyberpunk characters that bore us to tears. The one good thing about this book is that it will soon be forgotten and the classic animated characters will be all we ever think about.
Wacky Raceland #1 is a solid 2 out of 10.
Coffee Time with Olivia
Created by: Emma Rios and Hwei Lim
Publisher: Image Comics, Inc.Well it’s about time Image came out with a title called “Mirror.” (Because mirror image. Get it?) Sorry, that was lame.Mirror is part of the 8house universe, however it can be read as a stand-alone; which is what I am doing. It is indeed a page turner, and by page turner I mean I was flipping back and forth between pages to try and pick up details of the story I thought I missed as I was reading it. This might be a thing you will be doing too if you dive into this comic with zero context like I did; just a fair warning. This four part comic jumps right in with a complex and layered plot, almost as if it was meant for a longer run.Having that said, the story is totally immersable and has a dreamlike, ethereal quality to it thanks to the watercolor artwork; which is totally appropriate for the story by the way. It also has a Sandman-esque vibe to it, which I like. The story centers around a mage named Ivan who is forced to research the humanlike animals of Irzah and how to replicate them. The story opens with a small backstory of young Ivan and his dog Sena. Sena’s anomolous development into a talking, more humanlike creature forces Ivan and Sena to run away together. Ivan gets caught by an elder mage Kazbek while Sena has been on the run then eventually joins the “Outsiders”; a group that uses guerilla tactics order to maintain their freedom. Their connection to each other will undoubtedly be important in the next coming issues.I’ve read some strange and fantastical comics and Mirror is one of the most interesting and thought provoking ones I’ve read. It has a definite overtone of the significance of “what defines humanity” in the story. In fact, I’m not 100% sure what’s really going on. I can only speculate since the major plot points have only appeared in snippets so far. I would recommend that you read this comic if you like dreamlike fantasies ala Sandman (Gaiman) and Intersect (Fawkes).
Coffee Time with Olivia
Jupiter’s Circle Vol. 2 issue #3 January 2016
Writer: Mark Millar
Artists: Chris Sprouse, Karl Story, Walden Wong
Colorist: Ive Svorcina
Letterer: Peter Doherty
Cover Art: Bill Sienkiewicz
Variant Cover Art: Frank Quitely
Editor: Nicole Boose
Production: Peter Doherty, Drew Gill
Publisher: Image Comics, Inc.
This continuation of the Mark Millar epic still leaves you wanting more (and I’m putting this lightly).
As a fan of Jupiter’s Legacy, this prequel proves to be an incredibly frustrating read. It answers all the wrong questions at the wrong times, and what makes this series worse for me is that I have little to no connection to any of the main characters. It almost seems like there needs to be a prequel to the prequel, because Jupiter’s Circle has yet to go into FULL detail about how, where, and from whom the main heroes got their powers and why exactly THEY were chosen. Also, I would be more curious to know what these people were like before becoming super-powered, instead of this story we’re getting here.
Those questions are basically the only thing I want out of Jupiter’s Circle. Millar just likes to tease the readers by dropping subtle hints about their true origin story throughout in the dialogue. Of course, it’s not enough to grasp the whole picture. What we’re left with is a tale of how these heroes fit into important events in US history sprinkled with cameos of famous people.
So, now let’s talk about what happened in Jupiter’s Circle Vol. 2 issue 3. (Caution: Spoilers in this paragraph)
Skyfox has turned antihero. Utopian’s moral good compass still holds strong no matter what. Then the issue ends with the threat of their powers being taken away; having them swapped by an evil genius with a ray gun and his cronies. And guess what? I don’t really care.
Like I said, I have little to no emotional attachment to these characters. I feel that a story about the adventures of the first generation of superpowered people holds very little relevance to the characters in Jupiter’s Legacy. One could counter argue that the Jupiter’s Circle series is it’s own story; not necessarily connected to Legacy. If that were the case, Circle is still bad in my eyes with the lack of character development as the main issue.
I sincerely hope that Millar proves me wrong by making the Circle storyline relevant in some way. I liked Jupiter’s Legacy too much to give up on this. I will continue to read it just out of curiosity.
Coffee Time with Olivia
Judge Dredd #2 – Mega-city Zero “Flame Wars” January 2016
Writers: Ulises Farinas and Erick Freitas
Artist: Dan McDaid
Colorist: Ryan Hill
Letterer: Shawn Lee
Editor: Denton J. Tipton
In a world where Judge Dredd can’t Judge Dredd, everyone is going to have a bad time. Judge Dredd issue #2 is out for the new year and we are still unraveling the mystery of what happened to Mega-city one. The Judge can’t handle the seeming anarchy that has become of the city block as we watch him try to make sense of it all. With the girls still in tow, Dredd instantly shakes things up and is accused of being a trog (AKA “troll”). Then of course, the Judge’s antics inspires everyone to be adorned in law enforcement cosplay almost instantaneously and now everyone thinks they’re a judge. I mean, who doesn’t want to be Judge Dredd?
Surprisingly or not, the mere concept of “law” eludes these people; some not even knowing how to use the word “law” in a sentence. Then, as soon as things start to escalate, Dredd runs into an ally who later turns foe; a self-admitted trog that believes someone must stir the pot once in a while for there to be true freedom. He is the only person so far in the story that believes that Judge Dredd is exactly who he says he is. Dredd becomes separated from the feral kids and employs his trog friend to help him find them. They find that one of the kids is about to be puppy-kicked to death, however trog friend is not amused by Dredd’s shoot first ask questions later tactics.
What is Judge Dredd supposed to do in a world where everyone wants ultimate freedom? Why does no one know what happened to Mega-city one? Yes, this is a zany story, albeit an entertaining one. As a person who has not read any previous Judge Dredd comics, I like the subtle and situational comedy in this story. Perhaps, a more seasoned Judge Dredd reader might prefer a more serious tone. I highly recommend keeping an open mind and going along for the ride with this one. The story is still enticing enough to hold my curiosity for the next issues.